Tag Archives: Night Photography

Glow: Take 2

Last Saturday, I posted a few photos of the King’s Day celebration in Amsterdam, but I could only post photos from my phone.

I thought that the fireworks/city skyline photo from my phone was pretty sucky.  (Yeah, that’s a technical term.)   Now that I’m home, I’ve been able to download photos taken with my camera.  As promised, a night shot of Amsterdam & the King’s Day fireworks:

King's Day, Fireworks, Amsterdam

King’s Day, Amsterdam, The Netherlands, April 26, 2014

In a few days, when my brain as caught up with my current time zone, I’ll post other pictures from my trip.






Sharing the moon

A dreamer is one who can find his way by moonlight. ~ Oscar Wilde

The tall, lithe woman walked gracefully, like a dancer, across the sandy beach, kicking off her shoes when she was halfway to the shoreline. As she walked, she stretched her arms out wide, slowly swinging her right arm up & behind her shoulder and rolling her head slowly from side to side. The sun had set an hour before and it was only the distant light of the next house on the beach that allowed me to see her silhouetted against the white-capped sea. The moon, having traversed across the sky unseen during the day was nearing the horizon line. Now a bright, slim sliver, it reflected a narrow path across the water as it hung low in the sky. The woman reached the shoreline and began to walk in the surf as if in a marching band, raising each knee high and kicking the water slightly. She moved from side to side, rhythmically, and seemed to be beckoning to the incoming waves. Without moving from my balcony, I watched her performing a dance: two parts exercise, one part worship. After a few moments, she stepped into the moon’s faint beam on the sand. She seemed to bow towards the moon although she might just have been picking up her shoes. She turned, and, after looking back at the water one more time, walked to her car and drove away.

The Yoga-Dancer's Moon

I picked up my camera and wandered out onto the beach, setting my tripod up away from the lights of the houses. I focused and opened the shutter, then sat quietly. About halfway through one exposure, I noticed a bright blue-white light moving down the beach. I saw the small, energetic dogs first, their masters next, as they approached. Turn around before you get near me I thought. Or turn off the flashlight. As they were almost directly opposite me, I heard one of the men say Is that someone taking a picture?. They stopped for a moment and looked out across the water without saying a word. One then stooped to pick up after the dogs and turned around, flashing the light my way for just a moment. They left as quickly as they came, trailing a light, marking their return path.

The Dogwalkers' Moon

I started again, as the moon, now a ruddy orange, hung for a few more moments above the outer barrier island. Just enough time, I thought. A few seconds later, a boat, returning late, turned into the channel, heading towards the marina. Like the dogwalkers’ torch, it trailed a steady light across the horizon, as it pulled into its evening port.

The Boat Captain's Moon

One more time I aimed the camera. As I waited, I stretched like the yoga dancing woman. I finished the exposure, and, before I picked up camera and tripod, I gave a slight bow to the water and said goodbye.

Alone by myself with the Moon

My First Attempt at Night Photography

It was a cloudy night, so perhaps tonight was not the best night to attempt this, but I thought I would set my camera and tripod up near the shoreline and take pictures of the lights in the distance. I haven’t taken night photos before, so I really had no idea where to start. Although I suspected I would need something longer, I first tried with a 30 second exposure with a full aperture to see what would be recorded. Besides the fact that it was blurry — LESSON 1 LEARNED: I can’t see crap in my viewfinder in the dark: best to use autofocus — I didn’t like the orange-y color of the exposure. But it did give me a starting point.

Here was the best of those taken looking south. The lights of the left are the south end of Ft. Myers Beach, the near left (look for the 2 bright white lights) being about 1 mile away. The lights on the far right are lights that I could not see myself, from houses along Bonita Beach. The ambient light in the distance would be Bonita Springs and Naples.

Looking south from mid-island: Fort Myers Beach, January Night

ISO400, f/25, 60 seconds.

I liked the reflection of the lights in the water. The tide was going out, so I suspect that where the lights are reflected are actually tide pools and not the actual surf. I don’t think it would look so smooth and calm otherwise. The island bends at about that point, so it’s difficult for me to tell.

This was the best of the second set of shots I took:

Lights of Sanibel

ISO200, f/8, 96 seconds

Sanibel Island is a few miles off the coast of Estero Island. The lights to the far right are, I suspect, of the causeway connecting Sanibel to the mainland. I don’t believe that I had the correct angle to get any lights from the north end of Estero/Fort Myers Beach. I like that you can see the motion of the waves receding at the water’s edge, but I think that it would have been better if the waves have been higher. The water was really calm today, even for this area of the Gulf that rarely sees really high waves. This is not an area that would be a surfer’s delight!

LESSON TWO LEARNED: I need to figure out how to use the remote trigger. I got it to work once before I went out on to the beach, taking a nice over-exposed photo of the sofa, but once I needed to keep the shutter open, I couldn’t get it to do that without keeping my hand on the remote button. I know it is capable of a one button on/one button off action — I got it to work just a few minutes earlier! — but I certainly couldn’t get the same thing to happen outside. As a result, I had a more than a few fuzzy photos and I realized how much faster I count. Or is it that, as I have been all my life, I was just impatient?

LESSON THREE: Like everything else in photography, doing long exposures takes a lot of practice to get something that is really good! I tried lots of changes in the ISO, the exposure length, and the aperture before my battery wore out. (I know: amateur mistake!) I could find things wrong with each of the shots, but I think these two are the best representatives of what I did. Looking forward to trying this again sometime in the future and, I’m hoping, getting much better shots!

LESSON FOUR: I like being out on the beach when nobody is there. It is very peaceful. That I knew beforehand. But, what I noticed tonight for the first time — because it was important to what I was doing — is how much more light there is on the beach this time of year. During “Turtle Season” when the sea turtles breed, no lights are allowed on the beach. Porch lights are off, people close their blinds, and the beach is so much darker. There is still a lot of light pollution, as you can imagine from these shots, in the areas where there are high-rises, but even on nights in October when there is a big, full Harvest Moon and no clouds, I’ve seen the beach darker than it was this evening without the moon. That is one of the conundrums of South Florida: I love the area, love the beach, love coming here, but the area is so overdeveloped that it threatens the beauty of the place. The economy here is built on tourism, but tourism is a double-edged sword that threatens the beauty of the place, the habitats of native species, and the very economy that is built upon that beauty and abundance of nature.

What about you? What have been your experiences with night photography? What were the lessons that you have learned from taking long exposures at night?